top of page

The sneaker community has long been a boys club.
 
It started on the basketball court in 1917 with the Converse All-Star, which every professional and amateur male hooper wore for several decades. During the 1960s, other brands such as adidas, Nike, and Keds began to make competing models of athletic shoes. These brands' target audience was still exclusively men, though; prior to the creation of Title IX in 1972 which required all schools to fund women’s sports, most women were not athletes and did not wear sneakers.

A Brief Timeline of Sneaker History

Due to the shoe’s long association primarily with men and male athleticism, even today women have a hard time finding a foothold (pun intended) in the community—unless, perhaps, you’re an athlete.
 
While female basketball players today do not
receive the same respect as their male
counterparts, their insider perspective into
the sport does give them an advantage in
sneaker culture; “I’ve never had an issue
where I’m talking about sneakers and men are
ignorant about it” says former Division I
basketball player, Lauren Parra. “I think you
kind of have an in because you’re an athlete
so that’s something that gives you cred.”

​
​During the 20th century, women who were not
athletes typically wore saddle shoes, flats, or
high heels instead of sneakers. Even today,
there is an expectation that women should
prefer wearing more feminine shoes while men
should prefer sneakers; “We’re supposed to collect heels and say, ‘Oh I’ve got a closet full of red bottoms’ and dudes are supposed to be like, ‘Oh I’ve got a closet full of Jordans’” says Iris Miller, who works in a sneaker boutique in Georgetown. “I think that’s been the standard for men and women, so women typically aren’t into sneakers, just because its been ingrained in our minds since birth.”

​
According to Dylan T. Miner, artist, historian, and director of American Indian studies at the University of Michigan, before the late 1980s, sportswear companies were more or less unconcerned with creating products for women and catered almost exclusively to men. For example, Nike’s marketing campaigns were purposefully solely directed at men, since the company did not want to put its masculine, athletic reputation in jeopardy by marketing their products to women.
 
When sneaker culture exploded in 1985 with the release of the Air Jordan I, more and more women voiced their interest in sneakers and sportswear. Recognizing this untapped market, sneaker companies began incorporating a small amount of feminine-looking women’s clothing and shoes into their brand.
​
Unfortunately, sportswear companies still do not go out of their way to make women feel included in the sneaker or sportswear industries today; while women do have more options than they used to, the options still pale in comparison to the men’s selection. Miner states, "Sneakers, as integral components of athletics, represent a dominant form of masculinity. Even though Nike presently markets to women, its basketball-centric material is still principally aimed at men."

According to graduate student and sneaker
aficionado, Kerin Maguire, “There are several
hyped men’s sneaker releases every weekend.
There might be one hyped women’s release
every other month. And if the women's release
is cool enough, they'll be bought out by guys
before we even have a chance to grab a pair. I
can only ever get my shoes by paying resell.
It’s ridiculously unfair.”


Valeria “Vee” Cruz, assistant store manager at
Stuart Weitzman in Washington, D.C. has a

similar opinion. “I feel like releases are definitely
more skewed towards men’s...their releases are
way more epic and crazy. With women’s r
eleases,
they’re really not that crazy because the
shoe is not that crazy. It's like the brands don't care about us enough to make cool stuff for us, too.”
 


















Furthermore, the sneaker sizing system makes it difficult for many women to be able to wear men’s shoes since the smallest size that men’s releases usually come in is an 8 (a women’s 9.5). As a result, if your feet are smaller than a women’s 9.5—a size that’s relatively large—you can’t wear most of the men’s sneaker releases. On the flip side, women with large feet have a hard time fitting in women's shoes and have no other option but to buy men's shoes; "I have big feet, so it’s hard" says Lauren. "I can’t buy the really nice colored pink shoes that I want in women’s sizes because I have big feet. I just have to buy the men’s, and their colorways are often more masculine than I'd like."
​
While sports—particularly basketball—are integral to sneaker culture, music (particularly that made by Black and Latino men) is another strong and undeniable influence. As hip-hop took off in the 1970s and 1980s, the artists’ shoes and clothing styles became almost as popular and iconic as their music. For example, popular rap group Run-D.M.C. signed a deal with adidas in 1986 after the success of their track, “My Adidas.” Their shoe was a version of the hard-toe adidas Superstar, which is one of adidas’ best-selling sneakers, and will always be remembered for its impact on early hip-hop.
​
During the 1990s, when hip-hop’s influence on American culture was well ingrained, Michael Jordan won back to back NBA championships, and many believed he was the best player that basketball had ever seen. As a result, Jordans dominated American sneaker culture, and rappers—mainly from the East Coast—often wore the latest Jordans in their music videos and on stage.
 
Everyone interested in the genre wanted to wear the same Jordans that their favorite rappers were wearing. “To me, it’s a part of my culture” says Iris. “Sneakers have always been important to hip-hop culture, to Black culture, to city culture, especially on the East Coast. It’s a way to represent where you come from.”
 
​
​
​
​
​
​
​
​
​
​
​
​
​
​
​


​
​
Similar to rappers, Latino reggaetón and Latin trap artists have always had their own unique style of dress. In their music videos, reggaetón artists frequently wear rare, expensive Gucci, Off--White, and Jordan sneakers, and fans look to them as style inspiration.

Wardrobe stylist Mimi Nguyen agrees.
“When people talk about sneakers, it
brings up a lot about music, fashion, and
in what’s going on in the world today-
it just kind of brings people together.
That's what I love about sneaker culture.
All different types of people are inspired
by their favorite athletes, musicians, and 
style icons, which helps them create their
own personal style."

​
The lack of women’s representation in today’s sneaker culture can be directly traced back through the culture’s historical roots. Since the idols—athletes and musical artists—responsible for making sneakers popular are all men, and primarily men of color, race and masculinity have become intrinsically tied to sneaker culture. As a result, the sneaker has become a designator of male social identity and bonding, which inherently excludes women.
​
While history may not have been supportive
of female
sneakerheads, there are plenty of
women holding their
own in the community
today who are demanding
representation and
respect. Kimberly Marcela Durón,
a video
producer and filmmaker, commented,

“Whenever you hear about a really cool collab,
it’s
usually with a male athlete or a male
musician...
I love the fact that one of the pairs
of shoes that I
have—the Puma Grl Pwr
ones—were actually designed 
by a woman in
the hip-hop industry. So it’s really cool
when I have them on and people ask about them. The tags say GRL PWR, and so I can be like, 'Oh, these are by Lola Plaku!' and tell them the story of the shoe.”
​
Things are coming around, according to Mimi; “I think women are taking over the sneaker community.  We can wear them with dresses...So guys, no shade, but women can really rock the sneakers a bit better than you can. Girls have a little more swag and creativity with them than guys do, I think. We’re itching to take over.”
​
Fortunately, it seems like men are slowly becoming more inclusive and respectful to female sneakerheads, as well; Kerin says, “It’s like with football, where guys can be judgemental, but when you are able to actually convey that you do know what you’re talking about, or that you're genuinely interested, they’re more open to kind of embracing and applauding that. There’s an appeal for men to be like 'Oh, who’s this chick wearing kicks?'”
​
                                                 
​
​
​
​
​
​
​
​









​
​
​
​
​
​



At the end of the day, it seems like whether or not men make room for women in sneaker culture doesn’t really matter; women are making room for themselves. "Don’t let guys get in the way of getting your sneakers,” Vee encourages. "Definitely stand up. And don’t be like, 'Oh, I can’t wear this sneaker because I don’t have anything to wear it with.' Just throw anything on with it. Somebody will like it...it’s your style. And as long as you're confident, I'm sure you'll look damn good."

Screen Shot 2019-05-09 at 7.11.49 PM.png

Lauren in her UMass Lowell basketball uniform and team shoes

Screen Shot 2019-05-09 at 4.43.37 PM.png

Iris tying her Jordan I Retro Royals

IMG_8194.png
Screen Shot 2019-05-10 at 5.59.27 PM.png

Lola Plaku's collaboration with Puma

Kerin in Off--White Converse
All-Stars

Screen Shot 2019-05-11 at 9.47.02 AM.png

Kimberly agrees and wants to see more concrete action. She argues, “The sneaker community has the potential to be much more inclusive, because at the end of the day, anyone can wear sneakers. They’re not necessarily like heels, which have a more traditionally femme connotation. I think just as in other male-dominated industries...in order for women to become more involved in the community, there needs to be more women on the design end and the business decision end. I think that’s a big part of the reason why more shoes are currently tailored towards men and men’s sizes.”

Kimberly in Fila Disruptor 2s
Vee in Off--White Air Jordan 1 Retro High OG "UNC"s
Mimi with her favorite sneakers from her collection

***

Click on the sneakers to visit each interviewee's sneaker profile
NMD.png
Vans.png
bottom of page